Muzaffar Ali, the renowned filmmaker who brought Lucknow global recognition through classics like “Umrao Jaan” and “Anjuman,” has shared his candid views on the current state of the film industry, especially regarding OTT platforms. In a recent interview, Ali discussed his love for Lucknow, the importance of literature in filmmaking, his disdain for modern OTT content, and his ongoing creative endeavors.
The Decline of Classic Filmmaking
Ali believes that filmmaking is deeply rooted in literature, and the diminishing focus on literary works is affecting the quality of films being produced today. He laments the fact that classic content, especially in Lucknow, is becoming rare. “A film is born from literature,” Ali states, emphasizing that without strong literary foundations, filmmaking will eventually lose its essence. He criticizes how modern filmmakers have turned cities like Lucknow into mere spectacles, focusing on locations rather than the stories these places hold. Ali proudly mentions how he used authentic locations in his films, particularly in “Anjuman” and “Umrao Jaan,” where he personally worked on restoring a historical site to fit the narrative.
A City Rich in Stories
Ali’s connection to Lucknow is deeply personal. He describes the city as full of stories, especially the ruins that resonate with its rich history. Unlike other filmmakers who use locations merely as backdrops, Ali believes in preserving the authenticity and spirit of the place. He shares his frustration with those who exploit locations without understanding their significance, reducing them to mere photo opportunities. For Ali, filmmaking is an art that involves meticulous attention to detail, from costumes to the very atmosphere of the setting.
On Casting Influencers
In today’s digital age, casting influencers with large social media followings has become a trend. However, Ali sees this as a form of “creative suicide.” According to him, casting is about crafting a character, which requires deep understanding and dedication. He believes that relying on influencers undermines the integrity of the film and its characters. Ali prefers creating actors who are deeply committed to their roles. He also mentions his limited use of social media, believing it consumes valuable time. Despite this, he acknowledges the usefulness of technology, revealing that he wrote his autobiography on his phone and often takes notes and photographs using his mobile device.
The Cultural Identity of Lucknow
Ali emphasizes the importance of preserving Lucknow’s cultural identity, which he feels is gradually strengthening. He highlights the work of storyteller Himanshu Bajpayee as an example of someone who embodies the essence of Lucknow. Ali believes that a city’s identity is not just in its modern advancements but in its historical and cultural roots. He points out that understanding Lucknow’s pain and struggles is key to truly knowing the city. Through his films, especially “Umrao Jaan,” Ali has tried to capture the unique fragrance, language, and spirit of Lucknow, making it a central character in his storytelling.
Innovating Kathak in ‘Gomti’
Ali also touched upon his contributions to the art of Kathak, particularly through his work “Gomti.” He believes that Kathak, a dance form deeply connected to Lucknow, needs to be presented in a way that tells a complete story. In “Gomti,” Ali introduced a new form of Kathak, integrating elements like stagecraft, costumes, and music to create a unique experience. He recalls how the Kathak performed by Rekha in “Umrao Jaan” remains unforgettable and unparalleled, showcasing the depth of the dance form when combined with a powerful narrative.
A Shift to Painting
These days, Ali’s creative focus has shifted to painting. He describes how he creates a different world through his thoughts and colors, finding solace in this art form. For him, art is not just about showcasing talent but also about connecting with people. He emphasizes the importance of creating work that resonates with others, bringing them along on the artist’s journey. Ali views himself as a multi-faceted thinker, dedicated to producing art that touches the heart and soul.
Critique of OTT Platforms
Ali is vocal about his criticism of modern OTT platforms, stating that they thrive on content filled with vulgar language and lack the courage to produce classic works. He refuses to conform to this trend, declaring that he could never create a series like “Mirzapur.” Ali is particularly critical of how OTT content has influenced people’s language, noting that the widespread use of English profanity has become a cultural shift. He remains steadfast in his belief that true art does not need to rely on such elements to be impactful.
Muzaffar Ali’s thoughts reflect his deep commitment to preserving the cultural and artistic integrity of filmmaking. As the industry evolves with new technology and trends, Ali remains a staunch advocate for classic storytelling, authenticity, and meaningful art. His critique of OTT platforms and the modern approach to filmmaking serves as a reminder of the importance of maintaining cultural roots and literary excellence in the art of cinema.
